I recently joined Volkan Terzioglu and Robert Reigle for two episodes of their radio show/podcast “Noise and Smoke.” Apparently the people of Turkey want to hear musical and social analysis of free jazz bootlegs, and thanks to the internet you can enjoy it too. Shows 1.22 and 1.23 are the three of us exploring the recording of Cecil Taylor’s November 1969 Berlin concert. It was an honor to be asked, and really fun to work on this. There may be more.
I contributed three videos of solo improvisations to the Deep Tones for Peace project.
My book Free Jazz: A Research and Information Guide (Routledge 2018) is now in paperback, so the price is now a bit more in reach.
I signed a contract to write a second book, also about free jazz, for a series on jazz styles that SUNY Press is launching in 2022.
If there is a third book, I’ll try to expand my range.
Stay safe!
This is, predictably, the shortest year-end summary since I started doing them. I had ten in-person shows pre-COVID, and three online events and one socially-distanced outdoor one since. Here’s the tally:
Shows by Band:
Tie for 1st (two each): Collaborations with Ellen Burr, solo, The Present Quartet, Cal State Fullerton New Music Ensemble
Tie for 2nd (one each): Santa Monica Symphony, Jack Curtis Dubowsky Ensemble, Vicente Chamber Orchestra, Opera Povera, Adam Snyder, Robert Reigle & Tim Feeney
Shows by Venue
Tie for 1st (two each): Industry Cafe & Jazz, California State University Fullerton, Facebook Live
Tie for 2nd (one each): SGI Auditorium, Vista Theater, First Presbyterian Church, Battery Books & Music, ArtShare-LA, Zoom, SunSpace, my neighbor’s front yard
Not much to report, but since March I did participate in two very different online collaborations. There’s the Virtual Bass Ensemble:
and Sean Griffin’s production of Pauline Oliveros’ Full Pink Moon Opera:
Enjoy!
Two new releases: Architecture/Battery from Trio Various, with Tracy McMullen (soprano and tenor saxophones), Rich West (drumset), and myself. A live gig plus a studio track. There may be an album of studio stuff eventually. We did this band for a few months in 2012 while Tracy had a postdoc at USC, and we each wrote for it. This is a band camp pay-what-you-want release, because it’s a slightly scruffy Zoom recording. I did minimal editing and mastering; I’m no wizard. If the studio stuff resurfaces that might be a real release…
The other thing is the video of the last show I did before the lockdown: March 6 at ArtShare-LA with The Present Quartet (Ellen Burr, Anne LeBaron, Charles Sharp, and myself). This was our first outing playing compositions. It’s short, because we were part of a sort-of Downtown arts revue. Hope you dig it…
Everything for March and April is canceled. No performances, no Soundwaves, no Thirdsdays. In the words of the late great Jac Zinder, STAY HOME.
Meanwhile, you can watch videos from the last 5 years of Soundwaves on SoundwavesNewMusic.com. I just put up a wonderful Wayne Horvitz/Sara Schoenbeck duo show.
It’s probably also safe to order this new book I contributed to: 
I may be able to prepare an online release or two during this hiatus, and I’m trying to do some meaningful practice, to finally apply some of what Mark Helias tried to teach me here:
This is also an opportunity to relax and slow down for a month or two. Hope to see you all soon.
Some of my friends have taken to claiming the entire month of their birth for festivities. I tend to load mine up with even more action than usual, because one source of creativity is resistance to our mortality. Good times. Anyway, here’s the schedule:
Just the musical ones, for now…
I am continuing as a member of the Santa Monica Symphony and the Vicente Chamber Orchestra.
The “Thirdsday” third-Thursday residency I share with Ellen Burr at the Industry Cafe & Jazz is also ongoing. In January we will be joined by guitarist Cristian Amigo and drummer Brock Avery. In February we will have violinist Kathleen Kim, clarinetist Alicia Byer, and drummer Alex Cline. Both of those shows will be free improvisation. Ellen will be away in March, so I am bringing in my power trio Disclaimer, with Charles Sharp added on reeds. We will probably do one set of tunes and one of free improvisation.
Charles and I have a bunch of other projects coming up. I’ll be joining the Cal State Fullerton Improvisation Ensemble he leads at SunSpace Feb. 23 and he and I will be joining Lisa Mezzacappa and the Yves Charuest/Lisle Ellis/Peter Valsamis trio for an evening of mix & match improvising at the Industry Cafe Feb. 25. I’m also going to join the Fullerton Improvisation Ensemble for their set at the Fullerton New Music Festival Feb. 29.
We’re also both in the Jack Curtis Dubowsky Ensemble, playing live scores to silent films. Feb. 22, at the unlikely time of 10AM, we are doing Nosferatu at the famous Vista Theater.
The Present Quartet, which is Ellen, Charles, Anne LeBaron, and myself, is also playing at that festival. We are also doing a short set at ArtShare-LA Mar. 6, which will be the first time we play any sort of composed or pre-structured music.
I am also very excited about two events I’m organizing as part of Braxton75, marking the 75th birthday of Anthony Braxton, one of my biggest musical heroes. On May 3 The Decisive Instant, a large ensemble Charles and I co-lead, will play selections from the classic Creative Orchestra Music 1976 album at the Open Gate concert series in Eagle Rock. Then, on June 4, Braxton’s actual 75th birthday, The Present Quartet will play a set of his music on the Soundwaves series I run at the Santa Monica Public Library.
That series is starting its fifth year tonight, and I continue to be very proud about the performers I am able to present. If you are in West LA you really ought to come.
So, lots of action, and there’s more in development, including some writing and talking gigs. Hope to see you there!
Looks like I played 45 shows in 2019.
Here’s the breakdown by band:
1 Collaborations with Ellen Burr 7
2 The Red Cars 6
3 The Present Quartet 4
3 Vicente Chamber Orchestra 4
4 Santa Monica Symphony 3
5 Jack Curtis Dubowsky Ensemble 2
5 Jonathon Grasse 2
5 Lisa Mezzacappa Bass Choir 2
5 The Decisive Instant 2
6 Scott Heustis 1
6 Andrew Raffo Dewar 1
6 MESTO 1
6 Philip Foster 1
6 Nick Mazzoli 1
6 Sonic Open Orchestra 1
6 my own quintet 1
6 Elliott Levin 1
6 SASSAS 1
6 Karen Borca 1
6 Ken Field 1
By venue:
1 The Industry Cafe and Jazz 8
2 Battery Books & Music 4
3 First Presbyterian Church 3
3 SaMo High 3
4 The Wine Bar 2
4 private parties 2
4 Augsburg College 2
5 The Frida 1
5 The Art Theater 1
5 Downey Theater 1
5 CSUDH 1
5 Coaxial 1
5 KFJC 1
5 Indigo House 1
5 Art Share-LA 1
5 Eagle Rock Center for the Arts 1
5 Sun Space 1
5 Civic Center Studios 1
5 Cinema Bar 1
5 CALB 1
5 Cafe NELA 1
5 Broad Stage 1
5 Culver City ArtWalk 1
5 Baldwin Hills Scenic Overlook 1
5 Brooklyn College 1
and by drummer:
1 Paul Pellegrin 5
1 Richard Hynd 5
2 Keith Larsen 2
2 Garth Powell 2
2 Devin Pruden 2
3 Brian Christopherson 1
3 Peter Valsamis 1
3 Andre Martinez 1
3 Eric Paull 1
That’s 36% free improvisation, 19% classical, 19% jazz, 14% rock, 10% structured improvisation, and 2% Arabic music, but good luck classifying most of this stuff…
I also gave three conference presentations, organized 24 concerts and a symposium, and worked full-time for The Man. There’s a book chapter and a book review in press, but I don’t think I should count them until I see copies.
And, don’t forget the debut album by The Present Quartet (recorded in 2018, but released 2019): https://thepresentquartet.bandcamp.com/releases.
Thanks to all the leaders, composers, players, presenters, etc, and thank you for listening!
PS. I also made it on a list of “the local veteran cadre” making “vital contributions” compiled by ex-LA Weekly jazz critic Greg Burk. This is an extremely nice way for him to call me “old.”
I don’t know why, but October always seems to be packed. Orchestra season has resumed, school is back in session, and Halloween is good for a fun show or two. So, here’s what I have pending:
So, that’s two shows in Santa Monica, three in Culver City, and one in New York. Two classical, two pop, two avant-garde. Everything is free admission except the Vicente Chamber Orchestra. Hope to see you there!
