Two new releases: Architecture/Battery from Trio Various, with Tracy McMullen (soprano and tenor saxophones), Rich West (drumset), and myself. A live gig plus a studio track. There may be an album of studio stuff eventually. We did this band for a few months in 2012 while Tracy had a postdoc at USC, and we each wrote for it. This is a band camp pay-what-you-want release, because it’s a slightly scruffy Zoom recording. I did minimal editing and mastering; I’m no wizard. If the studio stuff resurfaces that might be a real release…

The other thing is the video of the last show I did before the lockdown: March 6 at ArtShare-LA with The Present Quartet (Ellen Burr, Anne LeBaron, Charles Sharp, and myself). This was our first outing playing compositions. It’s short, because we were part of a sort-of Downtown arts revue. Hope you dig it…


Everything for March and April is canceled. No performances, no Soundwaves, no Thirdsdays. In the words of the late great Jac Zinder, STAY HOME.

Meanwhile, you can watch videos from the last 5 years of Soundwaves on I just put up a wonderful Wayne Horvitz/Sara Schoenbeck duo show.

It’s probably also safe to order this new book I contributed to: cover_jazz_w_1000

I may be able to prepare an online release or two during this hiatus, and I’m trying to do some meaningful practice, to finally apply some of what Mark Helias tried to teach me here:

This is also an opportunity to relax and slow down for a month or two. Hope to see you all soon.


Some of my friends have taken to claiming the entire month of their birth for festivities. I tend to load mine up with even more action than usual, because one source of creativity is resistance to our mortality. Good times. Anyway, here’s the schedule:


2020 Plans

Just the musical ones, for now…
I am continuing as a member of the Santa Monica Symphony and the Vicente Chamber Orchestra.

The “Thirdsday” third-Thursday residency I share with Ellen Burr at the Industry Cafe & Jazz is also ongoing. In January we will be joined by guitarist Cristian Amigo and drummer Brock Avery. In February we will have violinist Kathleen Kim, guitarist Jim McAuley, and drummer Alex Cline. Both of those shows will be free improvisation. Ellen will be away in March, so I am bringing in my power trio Disclaimer, with Charles Sharp added on reeds. We will probably do one set of tunes and one of free improvisation.

Charles and I have a bunch of other projects coming up. I’ll be joining the Cal State Fullerton Improvisation Ensemble he leads at SunSpace Feb. 23 and he and I will be joining Lisa Mezzacappa and the Yves Charuest/Lisle Ellis/Peter Valsamis trio for an evening of mix & match improvising at the Industry Cafe Feb. 25. I’m also going to join the Fullerton Improvisation Ensemble for their set at the Fullerton New Music Festival Feb. 29.

We’re also both in the Jack Curtis Dubowsky Ensemble, playing live scores to silent films. Feb. 22, at the unlikely time of 10AM, we are doing Nosferatu at the famous Vista Theater.

The Present Quartet, which is Ellen, Charles, Anne LeBaron, and myself, is also playing at that festival. We are also doing a short set at ArtShare-LA Mar. 6, which will be the first time we play any sort of composed or pre-structured music.

I am also very excited about two events I’m organizing as part of Braxton75, marking the 75th birthday of Anthony Braxton, one of my biggest musical heroes. On May 3 The Decisive Instant, a large ensemble Charles and I co-lead, will play selections from the classic Creative Orchestra Music 1976 album at the Open Gate concert series in Eagle Rock. Then, on June 4, Braxton’s actual 75th birthday, The Present Quartet will play a set of his music on the Soundwaves series I run at the Santa Monica Public Library.

That series is starting its fifth year tonight, and I continue to be very proud about the performers I am able to present. If you are in West LA you really ought to come.

So, lots of action, and there’s more in development, including some writing and talking gigs. Hope to see you there!

2019 in Retrospect

Looks like I played 45 shows in 2019.

Here’s the breakdown by band:
1 Collaborations with Ellen Burr 7
2 The Red Cars 6
3 The Present Quartet 4
3 Vicente Chamber Orchestra 4
4 Santa Monica Symphony 3
5 Jack Curtis Dubowsky Ensemble 2
5 Jonathon Grasse 2
5 Lisa Mezzacappa Bass Choir 2
5 The Decisive Instant 2
6 Scott Heustis 1
6 Andrew Raffo Dewar 1
6 Philip Foster 1
6 Nick Mazzoli 1
6 Sonic Open Orchestra 1
6 my own quintet 1
6 Elliott Levin 1
6 Karen Borca 1
6 Ken Field 1

By venue:
1 The Industry Cafe and Jazz 8
2 Battery Books & Music 4
3 First Presbyterian Church 3
3 SaMo High 3
4 The Wine Bar 2
4 private parties 2
4 Augsburg College 2
5 The Frida 1
5 The Art Theater 1
5 Downey Theater 1
5 Coaxial 1
5 KFJC 1
5 Indigo House 1
5 Art Share-LA 1
5 Eagle Rock Center for the Arts 1
5 Sun Space 1
5 Civic Center Studios 1
5 Cinema Bar 1
5 CALB 1
5 Cafe NELA 1
5 Broad Stage 1
5 Culver City ArtWalk 1
5 Baldwin Hills Scenic Overlook 1
5 Brooklyn College 1

and by drummer:
1 Paul Pellegrin 5
1 Richard Hynd 5
2 Keith Larsen 2
2 Garth Powell 2
2 Devin Pruden 2
3 Brian Christopherson 1
3 Peter Valsamis 1
3 Andre Martinez 1
3 Eric Paull 1

That’s 36% free improvisation, 19% classical, 19% jazz, 14% rock, 10% structured improvisation, and 2% Arabic music, but good luck classifying most of this stuff…

I also gave three conference presentations, organized 24 concerts and a symposium, and worked full-time for The Man. There’s a book chapter and a book review in press, but I don’t think I should count them until I see copies.

And, don’t forget the debut album by The Present Quartet (recorded in 2018, but released 2019):

Thanks to all the leaders, composers, players, presenters, etc, and thank you for listening!

PS. I also made it on a list of “the local veteran cadre” making “vital contributions” compiled by ex-LA Weekly jazz critic Greg Burk. This is an extremely nice way for him to call me “old.”

October 2019

I don’t know why, but October always seems to be packed. Orchestra season has resumed, school is back in session, and Halloween is good for a fun show or two. So, here’s what I have pending:

  • Oct. 5: Vicente Chamber Orchestra Annual Gala Concert at the Broad Stage.  This group’s Year of Beethoven concludes with the Triple Concerto & 4th Symphony. Star soloists and a strong ensemble in a nice hall in Santa Monica.
  • Oct. 12: The Red Cars at Culver City Art Walk & Roll Festival 2019. This is my rock band, with past and future rockstars Adam Snyder & Richard Hynd. Free outdoor show, 11AM.
  • Oct. 13: SASSAS Exquisite Corpse at Baldwin Hills Scenic Overlook. Also outdoors in Culver City, but very different. This will be a large-scale structured improvisation involving  artists from SASSAS’ 20 years of presenting experimental music. Word is this will be their final presentation as well.
  • Oct. 17: Thirdsday with Ellen Burr. Pre-Halloween Scareophonic Spooktacular. 8PM. Industry Cafe & Jazz. Culver City. Free. Ellen and I have the third Thursday at this low-key Ethiopian restaurant. For October we are spotlighting singer/violinist/guitarist Rebecca Lynn in two sets of Halloween-themed standards, movie & TV themes, rock, pop, etc. We will endeavor to give eclecticism a bad name.
  • Oct. 20: Santa Monica Symphony Orchestra at SaMo High, 7:30PM. Weber, Gershwin, Dvorak. Free.
  • Oct. 26: I am speaking at the Unit Structures: The Art of Cecil Taylor conference at CUNY at 9AM then playing Taylor’s music in a large ensemble led by Karen Borca at Brooklyn College at 8PM. It is a real honor to be part of this group of prominent scholars and musicians, including several who worked with Taylor. It’s also my New York debut.

So, that’s two shows in Santa Monica, three in Culver City, and one in New York. Two classical, two pop, two avant-garde. Everything is free admission except the Vicente Chamber Orchestra. Hope to see you there!

August 2019 Updates

I have a lot of developments to update you on.

First, the 2019-2020 season of the Soundwaves New Music series I run at the Santa Monica Public Library is underway, and everything is just about set through next June. Here’s what’s coming up:

Not a bad lineup. All shows are free admission and start at 7:30, except for the Oct. 1 show, which starts at 7.

I also have lots of gigs on the way. I’ll just tell you about August right now.

On the 9th the great Oakland bassist/composer Lisa Mezzacappa and I are organizing an improvising bass ensemble for a show at Sunspace. We expect nine players, who work in jazz, classical, rock, and country music and all share the language of free improvisation. 8pm. $10.

On the 10th I’m playing a set of contemporary composed music downtown with the Sonic Open Orchestra, including Gavin Bryars’ “The Sinking of the Titanic” and Michael Gordon’s “Weather One.”

The 15th is the third Thursday, which is Ellen Burr and my shared residency at the Industry Cafe & Jazz in Culver City. This month we will be joined by Jeff Gauthier & Maggie Parkins for two sets of free improvisation. Also free as in no cover, but please buy food & drinks. 8pm.

On the 17th I am leading a jazz quintet at a fundraiser for Holly Mitchell’s campaign for LA County Supervisor. She has been an outstanding State Senator, passing the Crown Act, which barred discrimination based on natural hairstyles, and has done important work on racial disparities in maternal health, among other issues. She is leaving that office due to term limits. The band will be Dave Williams on trumpet, Sean Sonderegger on tenor sax, R. Scott Dibble on keyboard, and Peter Valsamis on drums. We’ll be playing compositions by Dave, Sean, and Scott, plus a few by Herbie Hancock in honor of his upcoming Hollywood Bowl appearance, and Prince, because everyone loves Prince. 2pm at a private home. Suggested donation is $50+, but less is OK. You can contact me for details.

My rock band The Red Cars plays the Cinema Bar in Culver City on the 20th. 9pm. We’ll be followed by T.J. Troy’s Run Downhill and The Wrinkling Brothers (Joe Dean & George Hurley). No cover, so buy lots of drinks. The Red Cars is singer/songwriter Adam Snyder, formerly of Mercury Rev, backed by drummer Richard Hynd (from Scottish popstars Texas), and myself.

Finally, on the 25th, The Decisive Instant, an experimental big band I co-lead with Charles Sharp, will be at the Cultural Alliance of Long Beach at 6pm. 737 Pine St. $10. Come at 4 for two other great acts.

And here are some recent recordings.

Charles Sharp, Michael Intriere, and I contributed to a compilation of sonic interpretations of Dorit Cypis’ art installation “Close Your Eyes if You Want to See,” now free here.

JSMICS_05-7-19_1and The Decisive Instant played July 7 at the Eagle Rock Center for the Arts: